Don’t scoff at the scoffers

James 1.17-27, Mark 7.1-8, 14, 15, 17-23

The Fourteenth Sunday of Trinity, 1 September 2024 

Jesus is talking about scoffing. Scoffing: meaning eating. And also scoffing: meaning what we do when we ridicule or mock others.

Jesus says that often, the two kinds of scoffing go together. He was arguing with the scribes and Pharisees for criticising his disciples for eating without washing their hands, something which broke the religious purity law and ‘defiled’ them. How can we take Jesus’ disciples seriously as religious people, the Pharisees scoffed, when they don’t even respect our tradition of cleanliness?

Now, you might see why the Pharisees were tempted to scoff at those eating without first washing. We know that people handling food with dirty hands are risking all sorts of infections and so on… But what the Pharisees overlooked was that these disciples, like many other people, had no opportunity to cleanse before eating: those who were travelling, those who worked outdoors, or anyone without access to clean running water, wouldn’t have the means to do so. The cleanliness laws unfairly disadvantaged those who were physically unable to obey them.

You may remember, during our Covid lockdowns, how it became the fashion among those professionals spending their days at home on furlough to learn home baking, and the news was suddenly full of features on how to make the best sourdough: whilst, by contrast, delivery couriers, out and about chasing their next scrap of paid work, at high risk to their health, were making do with snacking on chocolate bars inbetween parcel drops. Do you see some parallels here, with the Pharisees and those they condemned? 

Our society has its own kinds of conventions around food – behaviours we’ve learned which we instinctively feel and know – which can incite us to cold-shoulder those who are unable to obey them. There’s a whole language around food and class, for instance. In the past, Nancy Mitford was condescending about people who say “serviette” instead of “napkin”, and John Betjeman relegated the fish knife to the lower middle class. [1]

Fashions change, but scoffing doesn’t. In her book called ‘Scoff’, food historian Pen Vogler describes how brown bread and white bread have swapped social profile over the centuries: in the Industrial Revolution she notes, “White bread had become an obsessional mark of identity for families who felt their kind had been denied it for centuries. Disapproval of it became an opposing obsession for the gentry whose forebears had considered it their birthright”. [2]

Vogler describes how “Factory farming may have brought poultry within everyone’s reach but, consciously or not, the generic middle-class response has been to buy a rare-breed chicken or choose Christmas goose over turkey. If you must get a ready-made pasta sauce, ensure it sports a premium label. Make your proletarian hamburger with grass-fed beef. Never mind environmental justification or flavour; in this game, it is also a question of status.”

She says that food snobbery has created the topsy-turvy situation where words such as “fresh”, “local”, “home-made” and “healthy” now signify the diet of the wealthy few, who can, if they’re so inclined, scoff at those who have to make do with “own-brand” and “processed”.

And there’s the whole health debate around food: and it can be difficult working out which is the best advice to take. For instance, have you noticed how blue-labelled milk is nicknamed “FULL FAT” and that people think avoiding it is healthier? It’s actually called WHOLE MILK, it’s only 4% fat, and as such is healthy and nutritious. [3]

One big food debate these days is around veganism: the practice of dispensing with all products derived wholly or partly from animals. This is a live and somewhat raw issue in an area like ours, for an increase in non-meat diets is felt as a threat to farmers’ livelihoods. When the discussion around food so often takes place in the urban centres of power, our upland farmers find it a struggle to get their voices heard.

Whilst vegans remain a tiny minority (somewhere between 1 and 3 percent of our population) and most vegans just get on with being vegan without troubling anyone else about it, just like most meat-eaters do, the media – and especially social media – fuels the loud extremists on all sides of the food debate, from ‘preachy vegans’ to ‘those who like to make fun of vegans’ or to bash them. 

When it came to rules and attitudes around food, you’ll notice, Jesus did take sides. He sided with those who were harmed by those rules, and who were scorned by the powerful ones who benefitted from the rules and whose voices were always the loudest. He was pretty neutral about the health and hygiene part of the debate, and far more focussed on the way that that debate should be held: his concern was with the way that people treated each other.

‘Listen to me,’ he challenged the rule-makers, ‘there is nothing outside a person that by going in can defile, but the things that come out are what defile.’ By ‘the things that go into a person’ he meant food – whether or not it was handled with clean hands, or eaten on a sabbath. And, by ‘the things that come out’, well, yes, he must have meant waste matter, excrement. But more than that he was meaning those ‘evil things that come from within the human heart’: like deceit, envy, slander, pride, folly: which sounds like a list of the kinds of attitudes you’ll quickly find if you’re daft or bold enough to dive down into the comments of an online discussion about, let’s say, Veganuary, or Jeremy Clarkson.

Jesus was concerned with the way that people treated each other. It’s a concern we may share as we reflect on how poor are the quality of our public conversations these days. How easily polarised we become over subjects that needn’t really be that divisive. James, the writer of a very plain and practical epistle on Christian behaviour, agrees, saying, ‘Let everyone be quick to listen, slow to speak, slow to anger; for your anger does not produce God’s righteousness.’

Be generous, James teaches. Be generous towards others – however you may differ from them in, for example, the way you eat, or talk about eating. Be generous in understanding the reasons why they do what they do, and even where you just cannot agree, still be generous in your difference.

And why ought we treat each other this way? Because, James says, ‘every generous act of giving, every perfect gift, is from above, coming down from the Father of lights, with whom there is no variation or shadow due to change.’ 

Fashions change – in food as much as in everything else – but the generosity of God towards all of creation is constant and everlasting. It is a great gift to anyone who accepts it, and is the power of life for anyone who shares it with others, through his Spirit.

 

Notes

[1] Clarissa Hyman, Is trifle sufficient for sweet? Food snobbery and social acceptability: a review of  Pen Vogler, Scoff: A history of food and class in Britain. TLS, 18 / 25 December 2020

[2] Pen Vogler, Scoff: A history of food and class in Britain, as quoted in Clarissa Hyman, above.

[3] Farming UK: Facebook post, 23 August 2024.

 

Tell out, my soul: the functional art of our calling

Ephesians 5.15-20, John 6.51-58 

The Twelfth Sunday of Trinity, 18 August 2024, Austwick, Clapham, Eldroth

Be filled with the Spirit, as you sing psalms and hymns and spiritual songs among yourselves, singing and making melody to the Lord in your hearts.

Today we give thanks for the gift of song: and for those who compose the songs we sing, and in particular for the life of the celebrated hymn-writer The Rt Revd Timothy Dudley-Smith, who died in the early hours of Monday morning in Cambridge, aged 97.

Bishop Dudley-Smith wrote the lyrics of well over 400 hymns, among the most familiar of which are “Lord, for the years” (written in 1967) and “Tell out, my soul” (in 1962), which John Betjeman described as “one of the few modern hymns that will truly last”.

Timothy Dudley-Smith was born in Manchester on Boxing Day, 1926. He attended Tonbridge School, from where he went to study at Pembroke College, Cambridge. He trained for ordination at Ridley Hall, Cambridge, (which was where I also trained for the ministry, some fifty years later. I stand on the shoulders of giants).

Ordained deacon in 1950 and priest in 1951, Dudley-Smith went on to serve as Archdeacon of Norwich, and then as Bishop of Thetford from 1981 until his retirement in 1991.

Timothy Dudley-Smith’s hymns were compiled into what became a three part collection called A House of Praise, published in 2001, 2013 and 2018. Many were published in hymnals throughout the English-speaking world and in translation. He was an honorary vice-president of the Hymn Society of Great Britain and Ireland, a Fellow of the Hymn Society in the United States and Canada, and a Fellow of the Royal School of Church Music. In 2003 he was awarded an OBE ‘for services to hymnody’, and in 2009 an honorary Doctor of Divinity from the University of Durham.

Now, Dudley-Smith’s total of 400-plus hymns is impressive, and whilst it does not come close to Charles Wesley’s 6,500, it is approaching Isaac Watts’ total of 600. Canon David Winter described him as “one of the outstand­ing hymn-writers of our generation.”

He didn’t write music, instead many of his hymns were set to well-known tunes, and for the others he collaborated with musician friends and colleagues: for instance Lord, for the years, was set to music by Michael Baughen, who became the Bishop of Chester.

Timothy Dudley-Smith described hymn writing as “A Functional Art”: he made that the title of a book on the subject which he published in 2017. [2]

The book tells us that he wrote more than half his texts before breakfast during his summer holidays in a cottage overlooking the beach near The Lizard in Cornwall, while others of his songs were begun or completed at home, on trains or elsewhere.

He was a literary man: profoundly impacted by his schoolmaster father’s reading poems to him from an early age, his favourite poets were the late Victorian trinity of Tennyson, Housman, and Walter de la Mare; and aside from Charles Wesley, his favourite hymn-writers are largely also drawn from the Victorian age, notably John Ellerton, who composed “The day thou gavest, Lord, is ended”.

Timothy Dudley-Smith proposed that the marks of a good hymn are that it be  heartfelt, biblical, simple, deep, and uncontroversial. This places him in a very orthodox Anglican tradition of hymn-writing, although in his case an unashamedly Evangelical one as well; but a distinctive kind of Anglican Evangelicalism — as the writer Ian Bradley put it, “somehow very English, cultured, eirenic, and gentle.” [3]

In the preface to his hymn collection Timothy Dudley-Smith quoted Tennyson saying that ‘A good hymn is the most difficult thing in the world to write. In a good hymn you have to be commonplace and poetical.’ [4]

‘Commonplace’ words help the people to form our praises and find our voice; the poetry is in the way these words combine together to uplift us.

If hymn writing is, as Timothy Dudley-Smith described it, “A Functional Art”, then its function is to help the people shape the phrases which express what we feel, and see, and know, of God in our lives.

The word ‘functional’ suggests something utilitarian, unembellished, workaday. Which may seem an odd way to describe songs which help us lift our hearts to God. But, as Timothy Dudley-Smith clearly grasped, and as St Paul clearly taught, we are each called to the simple everyday work of praising God in all things. 

 

Notes

[1] Sources for biographical details: Timothy Dudley-Smith, hymn-writer and bishop, has died. Church Times, 12 August 2024; Ruth Peacock, Hymn writer Timothy Dudley-Smith dies aged 97. Religion News, 13 August 2024; timothydudley-smith.com.

[2] Timothy Dudley-Smith, A Functional Art: Reflections of a Hymn Writer.

[3] Ian Bradley, A Functional Art by Timothy Dudley-Smith. Church Times, 21 July 2017.

[4] Timothy Dudley-Smith, Foreword to A House of Praise: Collected Hymns 1961-2001.

In a hellish world, hungry for the Bread of Life

Ephesians 4.25 – 5.2, Psalm 130, John 6.35, 41-51

The Eleventh Sunday of Trinity, 11 August 2024,

Austwick, Keasden

‘I am the Bread of Life,’ said Jesus. ‘Whoever comes to me will never be hungry, and whoever believes in me will never thirst.’

Today in our communion, we take this very Bread of Life into our lives: into our bodies, our hearts and our spirits. 

Why do we come here to receive this Bread of Life, week by week, month by month? 

It may be because we have done it all our lives: from our upbringing, it reconnects us to a precious family ritual; or we may now take the Bread because we value it as something that helps to strengthen our community with others, it’s a practice which binds us to our neighbours in love.

At times it will be a deep and personal thing which draws us to hold out our hands to receive this Bread of Life. Bruised by life’s troubles or wearied by life’s demands, we come to the rail hungry for forgiveness, renewal, hope.

We come like the modest and penitent tax-collector came to prayer, whilst the smug and self-important Pharisee watched on. [1]

We come knowing that we are ‘angelic demons’: we try to be good people but we know we’re not quite right; we’re keenly aware that in this hellish world which we inhabit, the demonic so often has its way with us. We sense that we are damaged because we’ve eaten too much of the fruit of the world’s fears and hatreds. But that humbling self-knowledge draws us to reach out again for the Bread of Life, seeking the strength and the guidance to be angelic. [2]

This Bread we take is a sign of how ‘the divine suffuses the physical’. [3] We encounter God through the ordinary stuff of life; we are filled with a sense of how the material world is full of spirit, and of how, by eating this Bread, we are strengthened to live the angelic life, the eternal life, in other words a life of goodness, kindness and love towards others.

‘Out of the depths have I cried to you, O Lord; Lord, hear my voice’ – said the psalmist. 

By eating this Bread our ears open to those voices who, ‘out of the depths’, are crying to God today.

We hear those crying out of the depths of fear that their homes and businesses, their places of worship and refuge, will be destroyed by those who wish them harm.

We hear those crying out of the depths of bereavement, pained by their loss, those whose loved ones have been suddenly and violently taken, and those whose loved ones left in timely, gentle fashion surrounded by their loving family.

And we hear those crying out of the depths of trouble, those for whom life has taken a difficult turn, and is presenting challenges which they feel inadequate to overcome.

‘Out of the depths have I cried to you, O Lord; Lord, hear my voice.’ 

We may have been there ourselves, we may be there right now. Longing for the Bread of Life to save us, to feed and renew us. 

As we receive this Bread of Life, so that Bread will draw us in compassion to those others who are crying to be heard today; and as we listen to their cries, so that Bread will nourish our desire to comfort and protect them.

How astonishing to listen to that part of Paul’s letter to the Ephesians, today. After all the hatred and hostility that we’ve heard on our radios and seen on our screens these past days, how contrary, how beautifully contrary this passage sounds. 

So then, putting away falsehood, let us speak the truth to our neighbours, for we are members of one another. 

Bread of Life, because we belong with them in the family of humankind, when we hear lies being told about our near neighbours, save us from believing them; save us from repeating them.

Be angry but do not sin; do not let the sun go down on your anger, and do not make room for the devil. 

Bread of Life, because we are vulnerable to fear, which makes us susceptible to react and lash out before thinking, help us to make space to explore our feelings of desolation, in search of consolation. [4]

Let no evil talk come out of your mouths, but only what is useful for building up, as there is need, so that your words may give grace to those who hear. 

Bread of Life, because we often stumble over our words, and our words then cause others to stumble, teach us speech which reconciles and heals.

Put away from you all bitterness and wrath and anger and wrangling and slander, together with all malice, and be kind to one another, tender-hearted, forgiving one another, as God in Christ has forgiven you. 

Therefore be imitators of God, as beloved children, and live in love, as Christ loved us and gave himself up for us, a fragrant offering and sacrifice to God.

We are ‘angelic demons’: sensing that we are damaged because we’ve eaten too much of the fruit of the world’s fears and hatreds:

We are hungry, we are hungry.

Bread of heaven, feed us. [5]

 

 

Notes

[1] Luke 18.9-14.

[2] Timothy Morton, Hell: In Search of a Christian Ecology.

[3] Timothy Morton, Hell: In Search of a Christian Ecology.

[4] Martin Wroe, Quiet Revolutions: A Thought For The Day on BBC Radio 4’s Today. 3 August 2024.

[5] The Late Late Service, ‘Bread of Heaven Feed Me’ from God in the Flesh – Music From The Late Late Service 4, Sticky Music 1994.

 

The Woman in Red: A Celebration

Kate Bush discovers that her birthday coincides with Emily Bronte's, and the result is Wuthering Heights, the 1978 song which in time has led to The Most Wuthering Heights Day Ever, a now annual worldwide gathering largely consisting of women dressed in red rehearsing, then performing, their recreation of Kate Bush’s Wuthering Heights video. As at Clapham on 28 July this year. 

The Woman in Red: A Celebration

In turn discovering that this date comes in the same week as the feast of St Mary Magdalene, another woman portrayed famously in red, and one year since the passing of one of rock's most highly regarded scarlet women, Sinead O'Connor, who sang "I Don't Know How to Love Him" on her 2007 album, Theology, not to mention all sorts of Magdalene connections involving Lady Gaga and FKA twigs… I put together an hour-long prayer-presentation on the theme. Click The Woman in Red: a Celebration for all the content.

Cover images from top:

Emily Brontë painted by Patrick Branwell Brontë, c.1834. Wikipedia

Catherine Linton portrayed by Orla Brady in the 1998 ITV adaptation of Wuthering Heights. www.imdb.com

Kate Bush. TV Times / Getty Images

Mary Magdalene: Indwelling Peace by Sue Ellen Parkinson. www.sueellenparkinson.com

Lady Gaga: still from the Bloody Mary Official Music Video. YouTube

Miriam on the Shores: Dancing Monk Icon by Marcy Hall. AbbeyOfTheArts.com

A Most Wuthering Heights Day Ever event. Facebook: The Most Wuthering Heights Day Ever